die crew film

[When I saw it recently], I was surprised how it’s still such a good movie! You were talking about the exterior of the building and how it plays a character in the film, but in terms of the inside of the building, an office building can pretty easily become a pretty boring environment. The cast and crew of one of the best action movies of all time tell us about how it all came together. What I really liked about it was that it was never about making beautiful shots. De tekst is beschikbaar onder de licentie. Was it in the script to have those burning pieces of paper floating around in the background during that big climactic showdown? Sort of along those same lines, Die Hard is regularly mentioned in terms of great action movies that do an excellent job of establishing the geography of every scene.

Find a way to get it right and make it meaningful and dramatic and suspenseful.

Quite often, for instance on the empty floors where there’s no lights yet, I could play with that. Do you remember any conversations you had with him about specific shots in the film? We talked more about the emotional and the suspense character of the scene, not so much, ‘Then a close-up of this, then a medium shot, then a wide.’ We never thought in those ways. Thomas Gabriel Timothy Olyphant. So it was fantastic that, after all the locations we looked at, that was right next to us the whole time.

Was £208 per room per now now only £79

I know you were responsible for a lot of the smoke we saw in the movie in those hallways and pipes, but what other tricks did you use? You don’t know until you see those two actors together. Very little ones that were all on digital dimmers, so I could set levels and create darkness and bright spots wherever I wanted it to be.

It happens, and then boom – we’re already going on to the next thing, so it’s not like Bridge on the River Kwai where it takes you twenty minutes to set it all up and then finally, finally, finally, it comes and the bridge explodes and the train goes down.

Did you do a lot of testing and prep with that before you got Alan Rickman hooked up?

So we had to design a system where there’s a computer that tries to set the focus to the rhythm of the speed he is falling, so we had to do a couple different tries for different people.

Elke regel heeft duizenden uitzonderingen. There’s no cutting away and no feeling of ‘This was filmed two days later.’ No.

So I could light it dramatically and play with it in any way.

Deze pagina is voor het laatst bewerkt op 5 sep 2020 om 00:16. The focus was so difficult and no focus puller could ever get it right. They realized very quickly how it had to work. Bruce Willis with pipe and slippers telling the story? So why would you get involved? We’re on the roof and see the helicopter above, you can see it from below at the same time.

Offices usually use fluorescent lights in the ceiling, and that makes almost every room look the same. That’s why nobody ever does it.

As it comes in, the audience starts to get ideas about, ‘This building is special.’ Ultimately, it is. Er achter werkt de crew die ervoor zorgt dat de opname gemaakt wordt. For instance, when the police come in with that vehicle and [Hans Gruber’s henchmen are] shooting those rocket launchers at it, that is all real. Sign in to manage your newsletter preferences. Deze kiezen op hun beurt weer hun ondergeschikten met wie zij graag samenwerken, en die weer de lagere in ‘rang’. But certain things had never been done before, and we did things where while we were shooting, we quickly did a tryout of a scene somewhere else to make sure that the next day, that effect might work. Die Hard turns 30 years old this weekend, and to celebrate, I spoke with cinematographer Jan de Bont, writer Steven E. de Souza, and actor Reginald VelJohnson (who played Sergeant Al Powell) about why the film still holds up, how some of its most memorable scenes came together, and much more. If all the sets are built and you have no more freedom, then it’s really, really hard. Note: These interviews have all been condensed and lightly edited for clarity.

We didn’t storyboard much. Empire State – Die Straßen von New York (Originaltitel: Empire State) ist ein US- amerikanisches Heist-Movie, das die wahre Geschichte des bis dato größten.

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