It's very sad; it's very hard. These people have access to my CV. After the Family Van, I left Boston and came to Children's National Medical Center for my 3-year pediatric residency. TOM TARTER: This got us through college. They see this stuff. I think this interview was difficult because Miss Brown was not comfortable letting us see those areas where she knew things weren't right. We all did well in school, and to come in and be given a test where you know nothing. It's called the cardiac notch. I felt like I was doing a really good job, and I think I did deliver excellent patient care. This is where the stomach pierces the esophagus. If I had a magic wand that could change it, believe me, I would.". And so how do you fix that problem? A little ethanol going on, so we're not exactly clear on how it happened, but that's as good as we can figure. And there was a great sense that you could really actually change that child's life by working on, you know, a broken education system or a broken socio-economic system in that particular neighborhood. If I had a magic wand that could change it, believe me, I would. Tom: You bet I'd do it all over again. JAY BONNAR: Being in medical school is a very, very intensive process, and you really need some time where you can just sort of put that aside and really think about other things. MR. COLLINS: And I was out walking my wee dog. I haven't quite cracked that code yet. TOM TARTER: My therapist in medical school told me medical training is a marathon. Tom: Yeah. And you sit and you hear about all the interesting diseases, interesting this, interesting that, and all of a sudden you realize that's a person on the other end of this discussion. RUTH TARTER: You look like the Neanderthal man. TOM TARTER: This is where you are supposed to really start learning the difference between sickness and health. Any children? I'm going back to Harvard, and I'll be meeting up with the other students who were part of this documentary. Do you still feel that way as a doctor now? JANE LIEBSCHUTZ: Hi. American Medical Association www.ama-assn.org The AMA's website is three sites in one—it provides separate directories for patients, physicians, and health-care officials. It's okay, you've got time. JANE LIEBSCHUTZ: How are you feeling right now? JANE LIEBSCHUTZ: I'm going to be doing a residency in internal medicine at Boston City Hospital, Boston, Massachusetts. DR. ALAN GOROL: Tight feeling, is that...yeah. As you move up, you get more and more responsibility. We're going to take real good care of you. And you're sort of afraid that the patient'll look at you and say, "I don't want this person near me. It's very hard when you're young and alive and you don't know what's going to happen. I've decided to become a psychoanalyst, and that means that, amongst other things, I participate in a psychoanalysis myself. Although you get to the hospital very early, you tend to leave earlier. As the president of Echoing Green, my job, mainly, is to be a spokesperson for the organization and to fundraise for the organization. And all these questions that I know I should have asked, I'm sure I didn't. NEUROLOGIST: I don't know what to make of this numbness around her nose. I mean, it's like I can't even access the information I used to know. DAVID FRIEDMAN: You go through this phase of learning as you move up and you have people working for you, how to manage them, and suddenly you apply those skills in the wrong places. TOM TARTER: What don't you like about it, Mother? Ordering lots of tests makes everybody happy, because you can bill more. JANE LIEBSCHUTZ: You never had surgery before. You have a series of hats that you wear, and each of them you want to do properly. ELLIOTT BENNETT-GUERRERO: This thing's in Latin. I've been bouncing around, from one job to another, sometimes having to drive four or five hours to get to a job. What is the case is you can't be stupid and do medicine, you can't be a klutz and be a surgeon. I didn't have this in medical school. I wouldn't trade that for the world. idea, but I'm very attracted to that guy." JANE LIEBSCHUTZ: Well, you know what? DAVID FRIEDMAN: Oh man, this needle could kill a horse. Doctor Diaries. I mean, seriously, you are concentrating every single minute you are in the O.R, unlike in medicine, or a lot of other things where you spend a lot of time around the hospital just, kind of, talking to the nurses, having a coffee break. JANE LIEBSCHUTZ: I'm on call tonight in the emergency room, so I'm going to be up all night. I could never do that because I wouldn't care about any sort of product, I care about people. DAVID FRIEDMAN: To me, I kind of like seeing, you know, who they've become and.... We were all just figuring out what we were going to be then. December 5, 2015 January 6, 2016 preethishanbhag. Doctors' Diaries Hour 1 Produced and Directed by Michael Barnes Edited by Robert Alexander Steve Audette Dick Bartlett Production Team Jennifer Redfearn Julie Crawford Anthony Manupelli Julia Cort Barbara Costa Peter Frumkin Noel Schwerin Camera Stephen McCarthy Boyd Estus Brian Dowley Peter Hoving Steven Ascher Tom Fahey Michael Barnes Sound Recordists Steve Bores John Cameron John Osborne Clint Bramesco Music Miguel d'Oliveira Online Editor and Colorist Michael H. Amundson Audio Mix John Jenkins Production Manager Selina Kay Special Thanks Harvard Medical School and the Class of 1991 Hour 2 Produced and Directed by Michael Barnes Edited by Steve Audette Robert Alexander Co-Producer Jennifer Redfearn Production Team Julie Crawford Anthony Manupelli Julia Cort Barbara Costa Peter Frumkin Noel Schwerin Camera Mark Rublee Stephen McCarthy Jason Cuddy James Jansen Richard Numeroff Richard Chisolm John Hazard Michael Barnes Dick Bartlett Sound Recordists Phil Rossini Dominic Yip Steve Bores Dwayne Dell Steve Nelson Music Miguel d'Oliveira Online Editor and Colorist Michael H. Amundson Audio Mix John Jenkins Production Manager Selina Kay Special Thanks Harvard Medical School and the Class of 1991 NOVA Series Graphics yU + co. NOVA Theme Music Walter Werzowa John Luker Musikvergnuegen, Inc. Additional NOVA Theme Music Ray Loring Rob Morsberger Closed Captioning The Caption Center NOVA Administrator Mykim Dang Publicity Carole McFall Eileen Campion Victoria Louie Karinna Sjo-Gaber Karen Laverty Marketing Steve Sears Researcher Kate Becker Senior Researcher Gaia Remerowski Production Coordinator Linda Callahan Paralegal Sarah Erlandson Talent Relations Scott Kardel, Esq.
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